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The Fall were a group from Manchester founded by the enigmatic Mark E. Smith in 1976, after seeing the Sex Pistols at the Lesser Free Trade Hall. The group would go on to influence many bands over it's 40+ years of existence, such as Pavement and LCD Soundsystem. (Click link for write up on band)

The Fall was founded by one Mark E. Smith back in 1976, after seeing the Sex Pistols at the Lesser Free Trade Hall (The same gig attended by Ian Curtis and Peter Hook of Joy Division, Morrissey of the Smiths, and Tony Wilson, who founded the highly influential indie label Factory Records. Basically, Mark was at one of the more important gigs of the past 50 years, as this gig inspired all of those previously mentioned to either start bands or get involved in the punk scene, and changing the course of British indie music.). Over their 40+ years of operation, the band had Mark E. Smith at its helm as the sole constant member throughout it's existence. The band would become known for its classic assortment of records, with the tight musicianship by members such as guitarist Craig Scanlon and drummer Karl Burns (shown in the beginning of this clip from MTV's Cutting Edge) and Mark's esoteric lyricism, the witty, while often-times volatile and difficult, personality of Mark E. Smith, and the constant changing lineup of its members as a result of Mark's volatility. They would also remain to be the favorite band of legendary DJ John Peel, with the band holding the record of the most Peel sessions by a band, which is 24 sessions. The Fall would ultimately come to an end with the untimely death of Mark E. Smith in 2018 due to kidney and lung cancer.
The Fall are a significant band in the history of Post Punk, with a wide catalog of music to listen to released throughout the different eras of the band. I have decided to make a write-up going through the many eras of the Fall, while giving some recommendations from each era to start you off.
(1976 - early 1979 - Early Beginnings: The Martin Bramah Era)
during these years, the Fall were just getting their start with their sound. Their early material leans more towards the punk side of the sword rather than the post punk of their later years, but the embryo of the Fall's sound is clearly present. This can possibly be attributed to the guitar style of Martin Bramah in their early releases, which has a high pitched and trebly sound to the guitars. Their first recorded released came on a live album on the last day of operation for the Electric Circus, then they released their debut EP Bingo Master's Breakout then a single called It's The New Thing all in 1978. They finally released their debut album Live at the Witch Trials in March 1979 before Martin Bramah left in April 1979 due to increasing tensions with Mark E. Smith. He would then go on to found a band by the name of Blue Orchids with another former Fall member Una Baines, who he was dating at the time. Martin would prove to not be the only member to leave because of Mark's controlling demeanor in the band's future.
Here's some tracks to introduce you to this era's punky edge:
Last Orders
Bingo Master's Breakout EP (The entire EP's good to check out)
It's The New Thing
Rebellious Jukebox
Futures and Pasts
Mother-Sister
(mid 1979 - 1982 - The First Golden era: the Marc Riley Era)
I'm calling this the Marc Riley era because, even though Marc Riley was a part of the Bramah era, after Martin Bramah left, Riley would become the main guitarist instead of his previous role as bassist. This would open the door for members like Craig Scanlon to join on rhythm guitar and Steve Hanley on bass. This would end up transforming the sound of the band into the post-punk sound most people are familiar with the band. After releasing Rowche Rumble and the album Dragnet in 1979, the band would end up releasing a string of classic singles in 1980, such as Fiery Jack, How I Wrote Elastic Man, and probably their most well-known song, Totally Wired, as well as releasing the great album Grotesque (After the Gramme). 1981 would also prove to be a good year, with the release of the single Lie Dream of a Casino Soul and the 10-inch EP Slates. The band would end up travelling to Iceland for a string of gigs, which would lead to the recording of some songs for probably their best album Hex Enduction Hour, with tracks like Hip Priest and The Classical displaying the Fall's power in full force. The band would also released the album Room To Live and the single Look, Know. However, this year would prove to be the last with Marc Riley on lead guitar. After learning of their chart success in New Zealand (which was about 300 copies sold to get in the top 20), the band travelled there to play a few gigs in Australia and New Zealand. While there, increasing tensions between Smith and Riley came to a head in Australia when Riley punched Smith in the face for slapping the band for dancing to the Clash (yes, really). There is even a television interview where Mark's black eye is visible (even with heavy makeup). This tour would end up being released as a live album by the legendary New Zealand label Flying Nun Records as the album Fall in a Hole in 1983 (Which Smith would eventually threaten legal action for and forced Flying Nun to pay all of the revenue from the record, effectively almost killing Flying Nun in its infancy). Marc would end up being sacked by the end of the year. This left a hole to be filled for the lead guitar role, and that would be filled after a trip to America.
Here's some tracks to check out to introduce you to the classic Fall sound:
Rowche Rumble
How I Wrote Elastic Man
Totally Wired
New Face in Hell
Prole Art Threat
Lie Dream of a Casino Soul
Hip Priest
The Classical (N-Word Warning)
Iceland
Winter
Marquis Cha-Cha
(1983 - 1989 - The Second Golden era: The Brix Smith Era)
The band would soldier on without Marc Riley into 1983, with Craig Scanlon taking his place on lead guitar. This period would lead to the release of singles like The Man Whose Head Expanded and the Kicker Conspiracy EP. During the Fall's first American tour without Marc Riley, Mark E Smith was introduced to Brix Smith after a gig in Chicago in April. Within three months, Brix would move to England and end up marrying Mark. She would eventually join the band in September of that year and would first appear on their album Perverted by Language, albeit with minimal involvement and only appearing on one track. Her introduction to the band would end up bringing a pop sensibility to the band, as she would eventually become a major songwriting contributor along with Mark and she would try and push the Fall into a more commercially viable direction.
This period would lead to some of the band's most critically acclaimed,as well as their most commerically successful, material. early singles like C.R.E.E.P and Oh! Brother in 1984 display the early shift into the pop sphere for the band. The band would also release the album The Wonderful and Frightening World Of in 1984. By 1985, the band were starting to hit their stride in the commercial sphere, with singles like Cruiser's Creek and Couldn't Get Ahead appearing in the singles charts and the great album This Nation's Saving Grace receiving critical acclaim and decent sales. The band would continue to release increasingly pop-oriented records between 1986-1987, with singles like Mr. Pharmacist, Hit the North and Hey! Luciani reaching the lower ends of the charts, There's a Ghost In My House giving the band their highest singles chart peak, and the album Bend Sinister reaching the Top 40. However, 1988 would prove to be a banner year for the band, with the album The Frenz Experiment reaching the top 20, and the single of the Kinks song Victoria also reaching the top 40. However, this era would eventually come to an end in 1989, when Mark E Smith and Brix Smith ended up divorcing and Brix left the band. Her last record in this era would prove to be the album I am Kurious Oranj, a collaboration with the Michael Clark dance group. However, the trajectory that Brix set the band upon would let their success continue into the 90s, With the band eventually reaching their peak in commercial popularity. However, not all good things are meant to last.
Here's some songs to check out to introduce you to this era's pop-leaning sound:
The Man Whose Head Expanded
Kicker Conspiracy
Eat Y'self Fitter
C.R.E.E.P
2 X 4
Cruiser's Creek
No Bulbs
Spoilt Victorian Child
My New House
I am Damo Suzuki
Shoulder Pads #1
Mr. Pharmacist
Hey! Luciani
There's a Ghost in my House
Hit The North
Victoria
Big New Prinz
Dead Beat Descendant
(1990 - 1994 - The Peak, followed by the Fall: The Major Label years)
After Brix left the band, Martin Bramah was brought back into the fold to fill in her place, and would be featured on the album Extricate, which led to songs like Telephone Thing, which shows influence from the Madchester scene of that time period, which included the Stone Roses and the Happy Mondays, and the love song Bill is Dead, which possibly reflects upon his divorce the previous year. However, Martin Bramah would not be staying for long, as he would end up being kicked out of the band that same year for having a relationship with the keyboardist. This album marked the period when the band would be featured on a major label, with the band being signed to Fontana. The Fall would continue on to have success during this period, with the aforementioned Extricate reaching the top 40, albums like Shift-Work and Code: Selfish reaching the top 30, and singles like White Lightning and Free Range reaching in the single charts, with Free Range being the bands last top 40 single. Their commercial peak would come with the album The Infotainment Scan, which contained a cover of Lost in Music by Sister Sledge, giving the Fall their first and only top 10 hit album. Mark would also be featured on a top 20 single, which was I Want You by the Inspiral Carpets. However, Mark E. Smith's speed and alcohol addiction, which persisted over the previous decade, started to take its toll. The bands fortunes started to dwindle with the album Middle Class Revolt, Which only reach number 48 in the charts, a far cry from their previous Top 10 success. With this album, the Fall would begin to go downhill, both in their commercial performance and their critical stature.
Here's some songs to check out from this banner period for the Fall:
Telephone Thing
I'm Frank
Bill is Dead
Edinburgh Man
Free Range
Lost in Music
Hey! Student
15 Ways
(1995-1998 - The Low Point: The Brownies Years)
By this point, Mark E. Smith begins to go downhill with the previously mentioned drug and alcohol addiction, and its effect on the music shows. Brix Smith returns around this time period and would come back on the album Cerebral Caustic. Even with her involvement in the band, the album got middling reviews and performed worse than Middle Class Revolt. Smith would also dismiss the long time guitarist Craig Scanlon, who had co-written 120 songs with Smith over the previous 16 years. Smith would later say that he regretted this decision. By the time of The Light User Syndrome, Brix had enough of Mark E. Smith's degrading state and behavior due to alcohol abuse, and would leave on the tour supporting this album. This period would be wrought with increasing tensions in the band and financial troubles, which ultimately came to a head on the US tour supporting the album Levitate at an infamous gig at the New York venue Brownies in April of 1998. Smith ended up appearing drunk at the gig, and did everything in his power to make it hard for the band to play. It came to a head when drummer Karl Burns, who returned to the band when Middle Class Revolt was made, ended up shoving Smith for messing with his drum kit. Burns and long-time/essential bassist Steve Hanley would end up leaving the band and never returning. After this gig, the next few years are marked with the band remaining a low profile for the most part, where would eventually return to form by 2003.
Here's some tracks to check out (if you want to) from this era:
Don't Call me Darling
Rainmaster
D.I.Y Meat
The Chiselers
Powder Keg
Masquerade
(1998 - 2002 - Touch Sensitive: The Long Lull)
During this period of the Fall, the band was just starting to be put back together by Mark after the debacle that was the Brownies gig. The band was able to achieve some form of critical favor with their album The Marshall Suite in 1999, with Touch Sensitive being a particular standout on the album and being featured in a Volkswagen commercial. The band would then release their album The Unutterable, which also started to gain the critic's favor back. The next album Are You Are Missing Winner, however, didn't do the band any favors, as it was recorded when the band was tight on funds. It was considered a misstep by the Fall after the acclaim that the last album received. However, this would ultimately lead to the start of a new era of the fall that would effectively renew their relevance as a band in the public's eye.
Here's some tracks to check out from this transitional period of the bands history:
Touch Sensitive
W.B
Sons of Temperance
Dr. Bucks Letter
Bourgeois Town
(2003 - 2009 - A return to grace: The Third Golden Age)
This era of the fall proved to be a rebirthing of the band's relevance and quality, with Mark writing some of the best material the band had in years. This era starts with the album The Real New Fall LP (Formerly Country on the Click) in 2003, which provided the band with some late era classics, such as Mountain Energei and Theme From Sparta F.C. Around this period, the DJ John Peel, who was one of the band's biggest supporters from the beginning, died of a heart attack, but not before the Fall could release one more Peel session a couple months before his death. The Fall would then release Fall Heads Roll in 2005, which also provided the band with another late-era classic in the form of Blindness. The band would also release albums like Reformation Post TLC and Imperial Wax Solvent within the same period. Imperial Wax Solvent would end up being the first Fall album in 15 years to reach the top 40. This would lead into the final era of the Fall leading up to Mark E. Smith's untimely death.
Here's some tracks to check out from this era:
Mountain Energei
Theme From Sparta F.C.
Blindness
Clasp Hands
Fall Sound
Latchkey Kid
Is This New
Strange Town
(2010 - 2018 - The Witching Hour: The Domino and Cherry Red/final years)
In 2010, the Fall would release Your Future Our Clutter on Domino Records, the same label that releases records by the Arctic Monkeys and Franz Ferdinand, Two bands heavily influenced by the Fall. Mark E. Smith would also end up recording vocals for Glitter Freeze on the Gorillaz album Plastic Beach, which was released in 2010. The band would eventually move to Cherry Red records, which would remain the label of the band until its dissolution. On Cherry Red, the Fall would release album such as Ersatz GB, Re-Mit, Sub-Lingual Tablet, and New Facts Emerge. The latter album would prove to be the band's last record. Over this period, Mark began to develop significant health problems, and would eventually be diagnosed with terminal lung and kidney cancer. This is probably due to the fact that Mark E. Smith was a heavy smoker for most of his life, and his previous problems with drugs and alcohol didn't help either. Mark would perform his final gig with the Fall in November of 2017, and would eventually succumb to his illnesses on January 24th, 2018. Mark E. Smith would leave behind a long history of innovation, wit, and volatility and large catalog of great music for others to be inspired by.
Here's some tracks to check out from the final era of the Fall:
Bury Pts. 2 + 4
Nate Will Not Return
Loadstones
Fibre Book Troll
New Facts Emerge
(Final Remarks)
So that's my write-up for the Fall. I discovered this band about 3-4 years ago and I have fallen in love with them ever since, and I just felt like that they deserved some attention. I wrote this post for anyone who may be interested in checking out the band and giving them a place to start from no matter the era. May Mark E. Smith rest in peace, for he wrote "Northern white crap that talks back" and dug repetition.
P.S: For any fans of the fall, what is your favorite album/song by the fall and why?
If you want to, you can come check out my subreddit Collectionhauls, where I've been posting vinyl finds I've had at the flea market, and have been posting music to check out since March. If you want, you can come post something from your collections to show to others. Anyway, goodbye and I hope you enjoyed my post and possibly enjoy the Fall even more.
submitted by ryuundo to CoreMu [link] [comments]

Lets Talk: The Fall

The Fall was founded by one Mark E. Smith back in 1976, after seeing the Sex Pistols at the Lesser Free Trade Hall (The same gig attended by Ian Curtis and Peter Hook of Joy Division, Morrissey of the Smiths, and Tony Wilson, who founded the highly influential indie label Factory Records. Basically, Mark was at one of the more important gigs of the past 50 years, as this gig inspired all of those previously mentioned to either start bands or get involved in the punk scene, and changing the course of British indie music.). Over their 40+ years of operation, the band had Mark E. Smith at its helm as the sole constant member throughout it's existence. The band would become known for its classic assortment of records, with the tight musicianship by members such as guitarist Craig Scanlon and drummer Karl Burns (shown in the beginning of this clip from MTV's Cutting Edge) and Mark's esoteric lyricism, the witty, while often-times volatile and difficult, personality of Mark E. Smith, and the constant changing lineup of its members as a result of Mark's volatility. They would also remain to be the favorite band of legendary DJ John Peel, with the band holding the record of the most Peel sessions by a band, which is 24 sessions. The Fall would ultimately come to an end with the untimely death of Mark E. Smith in 2018 due to kidney and lung cancer.
The Fall are a significant band in the history of Post Punk, with a wide catalog of music to listen to released throughout the different eras of the band. I have decided to make a write-up going through the many eras of the Fall, while giving some recommendations from each era to start you off.
(1976 - early 1979 - Early Beginnings: The Martin Bramah Era)
during these years, the Fall were just getting their start with their sound. Their early material leans more towards the punk side of the sword rather than the post punk of their later years, but the embryo of the Fall's sound is clearly present. This can possibly be attributed to the guitar style of Martin Bramah in their early releases, which has a high pitched and trebly sound to the guitars. Their first recorded released came on a live album on the last day of operation for the Electric Circus, then they released their debut EP Bingo Master's Breakout then a single called It's The New Thing all in 1978. They finally released their debut album Live at the Witch Trials in March 1979 before Martin Bramah left in April 1979 due to increasing tensions with Mark E. Smith. He would then go on to found a band by the name of Blue Orchids with another former Fall member Una Baines, who he was dating at the time. Martin would prove to not be the only member to leave because of Mark's controlling demeanor in the band's future.
Here's some tracks to introduce you to this era's punky edge:
Last Orders
Bingo Master's Breakout EP (The entire EP's good to check out)
It's The New Thing
Rebellious Jukebox
Futures and Pasts
Mother-Sister
(mid 1979 - 1982 - The First Golden era: the Marc Riley Era)
I'm calling this the Marc Riley era because, even though Marc Riley was a part of the Bramah era, after Martin Bramah left, Riley would become the main guitarist instead of his previous role as bassist. This would open the door for members like Craig Scanlon to join on rhythm guitar and Steve Hanley on bass. This would end up transforming the sound of the band into the post-punk sound most people are familiar with the band. After releasing Rowche Rumble and the album Dragnet in 1979, the band would end up releasing a string of classic singles in 1980, such as Fiery Jack, How I Wrote Elastic Man, and probably their most well-known song, Totally Wired, as well as releasing the great album Grotesque (After the Gramme). 1981 would also prove to be a good year, with the release of the single Lie Dream of a Casino Soul and the 10-inch EP Slates. The band would end up travelling to Iceland for a string of gigs, which would lead to the recording of some songs for probably their best album Hex Enduction Hour, with tracks like Hip Priest and The Classical displaying the Fall's power in full force. The band would also released the album Room To Live and the single Look, Know. However, this year would prove to be the last with Marc Riley on lead guitar. After learning of their chart success in New Zealand (which was about 300 copies sold to get in the top 20), the band travelled there to play a few gigs in Australia and New Zealand. While there, increasing tensions between Smith and Riley came to a head in Australia when Riley punched Smith in the face for slapping the band for dancing to the Clash (yes, really). There is even a television interview where Mark's black eye is visible (even with heavy makeup). This tour would end up being released as a live album by the legendary New Zealand label Flying Nun Records as the album Fall in a Hole in 1983 (Which Smith would eventually threaten legal action for and forced Flying Nun to pay all of the revenue from the record, effectively almost killing Flying Nun in its infancy). Marc would end up being sacked by the end of the year. This left a hole to be filled for the lead guitar role, and that would be filled after a trip to America.
Here's some tracks to check out to introduce you to the classic Fall sound:
Rowche Rumble
How I Wrote Elastic Man
Totally Wired
New Face in Hell
Prole Art Threat
Lie Dream of a Casino Soul
Hip Priest
The Classical (N-Word Warning)
Iceland
Winter
Marquis Cha-Cha
(1983 - 1989 - The Second Golden era: The Brix Smith Era)
The band would soldier on without Marc Riley into 1983, with Craig Scanlon taking his place on lead guitar. This period would lead to the release of singles like The Man Whose Head Expanded and the Kicker Conspiracy EP. During the Fall's first American tour without Marc Riley, Mark E Smith was introduced to Brix Smith after a gig in Chicago in April. Within three months, Brix would move to England and end up marrying Mark. She would eventually join the band in September of that year and would first appear on their album Perverted by Language, albeit with minimal involvement and only appearing on one track. Her introduction to the band would end up bringing a pop sensibility to the band, as she would eventually become a major songwriting contributor along with Mark and she would try and push the Fall into a more commercially viable direction.
This period would lead to some of the band's most critically acclaimed,as well as their most commerically successful, material. early singles like C.R.E.E.P and Oh! Brother in 1984 display the early shift into the pop sphere for the band. The band would also release the album The Wonderful and Frightening World Of in 1984. By 1985, the band were starting to hit their stride in the commercial sphere, with singles like Cruiser's Creek and Couldn't Get Ahead appearing in the singles charts and the great album This Nation's Saving Grace receiving critical acclaim and decent sales. The band would continue to release increasingly pop-oriented records between 1986-1987, with singles like Mr. Pharmacist, Hit the North and Hey! Luciani reaching the lower ends of the charts, There's a Ghost In My House giving the band their highest singles chart peak, and the album Bend Sinister reaching the Top 40. However, 1988 would prove to be a banner year for the band, with the album The Frenz Experiment reaching the top 20, and the single of the Kinks song Victoria also reaching the top 40. However, this era would eventually come to an end in 1989, when Mark E Smith and Brix Smith ended up divorcing and Brix left the band. Her last record in this era would prove to be the album I am Kurious Oranj, a collaboration with the Michael Clark dance group. However, the trajectory that Brix set the band upon would let their success continue into the 90s, With the band eventually reaching their peak in commercial popularity. However, not all good things are meant to last.
Here's some songs to check out to introduce you to this era's pop-leaning sound:
The Man Whose Head Expanded
Kicker Conspiracy
Eat Y'self Fitter
C.R.E.E.P
2 X 4
Cruiser's Creek
No Bulbs
Spoilt Victorian Child
My New House
I am Damo Suzuki
Shoulder Pads #1
Mr. Pharmacist
Hey! Luciani
There's a Ghost in my House
Hit The North
Victoria
Big New Prinz
Dead Beat Descendant
(1990 - 1994 - The Peak, followed by the Fall: The Major Label years)
After Brix left the band, Martin Bramah was brought back into the fold to fill in her place, and would be featured on the album Extricate, which led to songs like Telephone Thing, which shows influence from the Madchester scene of that time period, which included the Stone Roses and the Happy Mondays, and the love song Bill is Dead, which possibly reflects upon his divorce the previous year. However, Martin Bramah would not be staying for long, as he would end up being kicked out of the band that same year for having a relationship with the keyboardist. This album marked the period when the band would be featured on a major label, with the band being signed to Fontana. The Fall would continue on to have success during this period, with the aforementioned Extricate reaching the top 40, albums like Shift-Work and Code: Selfish reaching the top 30, and singles like White Lightning and Free Range reaching in the single charts, with Free Range being the bands last top 40 single. Their commercial peak would come with the album The Infotainment Scan, which contained a cover of Lost in Music by Sister Sledge, giving the Fall their first and only top 10 hit album. Mark would also be featured on a top 20 single, which was I Want You by the Inspiral Carpets. However, Mark E. Smith's speed and alcohol addiction, which persisted over the previous decade, started to take its toll. The bands fortunes started to dwindle with the album Middle Class Revolt, Which only reach number 48 in the charts, a far cry from their previous Top 10 success. With this album, the Fall would begin to go downhill, both in their commercial performance and their critical stature.
Here's some songs to check out from this banner period for the Fall:
Telephone Thing
I'm Frank
Bill is Dead
Edinburgh Man
Free Range
Lost in Music
Hey! Student
15 Ways
(1995-1998 - The Low Point: The Brownies Years)
By this point, Mark E. Smith begins to go downhill with the previously mentioned drug and alcohol addiction, and its effect on the music shows. Brix Smith returns around this time period and would come back on the album Cerebral Caustic. Even with her involvement in the band, the album got middling reviews and performed worse than Middle Class Revolt. Smith would also dismiss the long time guitarist Craig Scanlon, who had co-written 120 songs with Smith over the previous 16 years. Smith would later say that he regretted this decision. By the time of The Light User Syndrome, Brix had enough of Mark E. Smith's degrading state and behavior due to alcohol abuse, and would leave on the tour supporting this album. This period would be wrought with increasing tensions in the band and financial troubles, which ultimately came to a head on the US tour supporting the album Levitate at an infamous gig at the New York venue Brownies in April of 1998. Smith ended up appearing drunk at the gig, and did everything in his power to make it hard for the band to play. It came to a head when drummer Karl Burns, who returned to the band when Middle Class Revolt was made, ended up shoving Smith for messing with his drum kit. Burns and long-time/essential bassist Steve Hanley would end up leaving the band and never returning. After this gig, the next few years are marked with the band remaining a low profile for the most part, where would eventually return to form by 2003.
Here's some tracks to check out (if you want to) from this era:
Don't Call me Darling
Rainmaster
D.I.Y Meat
The Chiselers
Powder Keg
Masquerade
(1998 - 2002 - Touch Sensitive: The Long Lull)
During this period of the Fall, the band was just starting to be put back together by Mark after the debacle that was the Brownies gig. The band was able to achieve some form of critical favor with their album The Marshall Suite in 1999, with Touch Sensitive being a particular standout on the album and being featured in a Volkswagen commercial. The band would then release their album The Unutterable, which also started to gain the critic's favor back. The next album Are You Are Missing Winner, however, didn't do the band any favors, as it was recorded when the band was tight on funds. It was considered a misstep by the Fall after the acclaim that the last album received. However, this would ultimately lead to the start of a new era of the fall that would effectively renew their relevance as a band in the public's eye.
Here's some tracks to check out from this transitional period of the bands history:
Touch Sensitive
W.B
Sons of Temperance
Dr. Bucks Letter
Bourgeois Town
(2003 - 2009 - A return to grace: The Third Golden Age)
This era of the fall proved to be a rebirthing of the band's relevance and quality, with Mark writing some of the best material the band had in years. This era starts with the album The Real New Fall LP (Formerly Country on the Click) in 2003, which provided the band with some late era classics, such as Mountain Energei and Theme From Sparta F.C. Around this period, the DJ John Peel, who was one of the band's biggest supporters from the beginning, died of a heart attack, but not before the Fall could release one more Peel session a couple months before his death. The Fall would then release Fall Heads Roll in 2005, which also provided the band with another late-era classic in the form of Blindness. The band would also release albums like Reformation Post TLC and Imperial Wax Solvent within the same period. Imperial Wax Solvent would end up being the first Fall album in 15 years to reach the top 40. This would lead into the final era of the Fall leading up to Mark E. Smith's untimely death.
Here's some tracks to check out from this era:
Mountain Energei
Theme From Sparta F.C.
Blindness
Clasp Hands
Fall Sound
Latchkey Kid
Is This New
Strange Town
(2010 - 2018 - The Witching Hour: The Domino and Cherry Red/final years)
In 2010, the Fall would release Your Future Our Clutter on Domino Records, the same label that releases records by the Arctic Monkeys and Franz Ferdinand, Two bands heavily influenced by the Fall. Mark E. Smith would also end up recording vocals for Glitter Freeze on the Gorillaz album Plastic Beach, which was released in 2010. The band would eventually move to Cherry Red records, which would remain the label of the band until its dissolution. On Cherry Red, the Fall would release album such as Ersatz GB, Re-Mit, Sub-Lingual Tablet, and New Facts Emerge. The latter album would prove to be the band's last record. Over this period, Mark began to develop significant health problems, and would eventually be diagnosed with terminal lung and kidney cancer. This is probably due to the fact that Mark E. Smith was a heavy smoker for most of his life, and his previous problems with drugs and alcohol didn't help either. Mark would perform his final gig with the Fall in November of 2017, and would eventually succumb to his illnesses on January 24th, 2018. Mark E. Smith would leave behind a long history of innovation, wit, and volatility and large catalog of great music for others to be inspired by.
Here's some tracks to check out from the final era of the Fall:
Bury Pts. 2 + 4
Nate Will Not Return
Loadstones
Fibre Book Troll
New Facts Emerge
(Final Remarks)
So that's my write-up for the Fall. I discovered this band about 3-4 years ago and I have fallen in love with them ever since, and I just felt like that they deserved some attention. I wrote this post for anyone who may be interested in checking out the band and giving them a place to start from no matter the era. May Mark E. Smith rest in peace, for he wrote "Northern white crap that talks back" and dug repetition.
I personally believe that the Fall, while revered in Post-Punk circles and UK indie music, I feel that they are still highly underappreciated in popular music. I feel that they should have been on the same level as the Cure or Joy Division in their cultural significance to music in general. However, what we do have from the Fall is great and I can say that I love them dearly.
For any fans of the fall, what is your opinion on the significance of the Fall to popular music? What do you find to be your favorite aspect of the Fall's music?
submitted by ryuundo to LetsTalkMusic [link] [comments]

The Fall were a group from Manchester founded by the enigmatic Mark E. Smith in 1976, after seeing the Sex Pistols at the Lesser Free Trade Hall. The group would go on to influence many bands over it's 40+ years of existence, such as Pavement and LCD Soundsystem. (Click link for write up on band)

The Fall was founded by one Mark E. Smith back in 1976, after seeing the Sex Pistols at the Lesser Free Trade Hall (The same gig attended by Ian Curtis and Peter Hook of Joy Division, Morrissey of the Smiths, and Tony Wilson, who founded the highly influential indie label Factory Records. Basically, Mark was at one of the more important gigs of the past 50 years, as this gig inspired all of those previously mentioned to either start bands or get involved in the punk scene, and changing the course of British indie music.). Over their 40+ years of operation, the band had Mark E. Smith at its helm as the sole constant member throughout it's existence. The band would become known for its classic assortment of records, with the tight musicianship by members such as guitarist Craig Scanlon and drummer Karl Burns (shown in the beginning of this clip from MTV's Cutting Edge) and Mark's esoteric lyricism, the witty, while often-times volatile and difficult, personality of Mark E. Smith, and the constant changing lineup of its members as a result of Mark's volatility. They would also remain to be the favorite band of legendary DJ John Peel, with the band holding the record of the most Peel sessions by a band, which is 24 sessions. The Fall would ultimately come to an end with the untimely death of Mark E. Smith in 2018 due to kidney and lung cancer.
The Fall are a significant band in the history of Post Punk, with a wide catalog of music to listen to released throughout the different eras of the band. I have decided to make a write-up going through the many eras of the Fall, while giving some recommendations from each era to start you off.
(1976 - early 1979 - Early Beginnings: The Martin Bramah Era)
during these years, the Fall were just getting their start with their sound. Their early material leans more towards the punk side of the sword rather than the post punk of their later years, but the embryo of the Fall's sound is clearly present. This can possibly be attributed to the guitar style of Martin Bramah in their early releases, which has a high pitched and trebly sound to the guitars. Their first recorded released came on a live album on the last day of operation for the Electric Circus, then they released their debut EP Bingo Master's Breakout then a single called It's The New Thing all in 1978. They finally released their debut album Live at the Witch Trials in March 1979 before Martin Bramah left in April 1979 due to increasing tensions with Mark E. Smith. He would then go on to found a band by the name of Blue Orchids with another former Fall member Una Baines, who he was dating at the time. Martin would prove to not be the only member to leave because of Mark's controlling demeanor in the band's future.
Here's some tracks to introduce you to this era's punky edge:
Last Orders
Bingo Master's Breakout EP (The entire EP's good to check out)
It's The New Thing
Rebellious Jukebox
Futures and Pasts
Mother-Sister
(mid 1979 - 1982 - The First Golden era: the Marc Riley Era)
I'm calling this the Marc Riley era because, even though Marc Riley was a part of the Bramah era, after Martin Bramah left, Riley would become the main guitarist instead of his previous role as bassist. This would open the door for members like Craig Scanlon to join on rhythm guitar and Steve Hanley on bass. This would end up transforming the sound of the band into the post-punk sound most people are familiar with the band. After releasing Rowche Rumble and the album Dragnet in 1979, the band would end up releasing a string of classic singles in 1980, such as Fiery Jack, How I Wrote Elastic Man, and probably their most well-known song, Totally Wired, as well as releasing the great album Grotesque (After the Gramme). 1981 would also prove to be a good year, with the release of the single Lie Dream of a Casino Soul and the 10-inch EP Slates. The band would end up travelling to Iceland for a string of gigs, which would lead to the recording of some songs for probably their best album Hex Enduction Hour, with tracks like Hip Priest and The Classical displaying the Fall's power in full force. The band would also released the album Room To Live and the single Look, Know. However, this year would prove to be the last with Marc Riley on lead guitar. After learning of their chart success in New Zealand (which was about 300 copies sold to get in the top 20), the band travelled there to play a few gigs in Australia and New Zealand. While there, increasing tensions between Smith and Riley came to a head in Australia when Riley punched Smith in the face for slapping the band for dancing to the Clash (yes, really). There is even a television interview where Mark's black eye is visible (even with heavy makeup). This tour would end up being released as a live album by the legendary New Zealand label Flying Nun Records as the album Fall in a Hole in 1983 (Which Smith would eventually threaten legal action for and forced Flying Nun to pay all of the revenue from the record, effectively almost killing Flying Nun in its infancy). Marc would end up being sacked by the end of the year. This left a hole to be filled for the lead guitar role, and that would be filled after a trip to America.
Here's some tracks to check out to introduce you to the classic Fall sound:
Rowche Rumble
How I Wrote Elastic Man
Totally Wired
New Face in Hell
Prole Art Threat
Lie Dream of a Casino Soul
Hip Priest
The Classical (N-Word Warning)
Iceland
Winter
Marquis Cha-Cha
(1983 - 1989 - The Second Golden era: The Brix Smith Era)
The band would soldier on without Marc Riley into 1983, with Craig Scanlon taking his place on lead guitar. This period would lead to the release of singles like The Man Whose Head Expanded and the Kicker Conspiracy EP. During the Fall's first American tour without Marc Riley, Mark E Smith was introduced to Brix Smith after a gig in Chicago in April. Within three months, Brix would move to England and end up marrying Mark. She would eventually join the band in September of that year and would first appear on their album Perverted by Language, albeit with minimal involvement and only appearing on one track. Her introduction to the band would end up bringing a pop sensibility to the band, as she would eventually become a major songwriting contributor along with Mark and she would try and push the Fall into a more commercially viable direction.
This period would lead to some of the band's most critically acclaimed,as well as their most commerically successful, material. early singles like C.R.E.E.P and Oh! Brother in 1984 display the early shift into the pop sphere for the band. The band would also release the album The Wonderful and Frightening World Of in 1984. By 1985, the band were starting to hit their stride in the commercial sphere, with singles like Cruiser's Creek and Couldn't Get Ahead appearing in the singles charts and the great album This Nation's Saving Grace receiving critical acclaim and decent sales. The band would continue to release increasingly pop-oriented records between 1986-1987, with singles like Mr. Pharmacist, Hit the North and Hey! Luciani reaching the lower ends of the charts, There's a Ghost In My House giving the band their highest singles chart peak, and the album Bend Sinister reaching the Top 40. However, 1988 would prove to be a banner year for the band, with the album The Frenz Experiment reaching the top 20, and the single of the Kinks song Victoria also reaching the top 40. However, this era would eventually come to an end in 1989, when Mark E Smith and Brix Smith ended up divorcing and Brix left the band. Her last record in this era would prove to be the album I am Kurious Oranj, a collaboration with the Michael Clark dance group. However, the trajectory that Brix set the band upon would let their success continue into the 90s, With the band eventually reaching their peak in commercial popularity. However, not all good things are meant to last.
Here's some songs to check out to introduce you to this era's pop-leaning sound:
The Man Whose Head Expanded
Kicker Conspiracy
Eat Y'self Fitter
C.R.E.E.P
2 X 4
Cruiser's Creek
No Bulbs
Spoilt Victorian Child
My New House
I am Damo Suzuki
Shoulder Pads #1
Mr. Pharmacist
Hey! Luciani
There's a Ghost in my House
Hit The North
Victoria
Big New Prinz
Dead Beat Descendant
(1990 - 1994 - The Peak, followed by the Fall: The Major Label years)
After Brix left the band, Martin Bramah was brought back into the fold to fill in her place, and would be featured on the album Extricate, which led to songs like Telephone Thing, which shows influence from the Madchester scene of that time period, which included the Stone Roses and the Happy Mondays, and the love song Bill is Dead, which possibly reflects upon his divorce the previous year. However, Martin Bramah would not be staying for long, as he would end up being kicked out of the band that same year for having a relationship with the keyboardist. This album marked the period when the band would be featured on a major label, with the band being signed to Fontana. The Fall would continue on to have success during this period, with the aforementioned Extricate reaching the top 40, albums like Shift-Work and Code: Selfish reaching the top 30, and singles like White Lightning and Free Range reaching in the single charts, with Free Range being the bands last top 40 single. Their commercial peak would come with the album The Infotainment Scan, which contained a cover of Lost in Music by Sister Sledge, giving the Fall their first and only top 10 hit album. Mark would also be featured on a top 20 single, which was I Want You by the Inspiral Carpets. However, Mark E. Smith's speed and alcohol addiction, which persisted over the previous decade, started to take its toll. The bands fortunes started to dwindle with the album Middle Class Revolt, Which only reach number 48 in the charts, a far cry from their previous Top 10 success. With this album, the Fall would begin to go downhill, both in their commercial performance and their critical stature.
Here's some songs to check out from this banner period for the Fall:
Telephone Thing
I'm Frank
Bill is Dead
Edinburgh Man
Free Range
Lost in Music
Hey! Student
15 Ways
(1995-1998 - The Low Point: The Brownies Years)
By this point, Mark E. Smith begins to go downhill with the previously mentioned drug and alcohol addiction, and its effect on the music shows. Brix Smith returns around this time period and would come back on the album Cerebral Caustic. Even with her involvement in the band, the album got middling reviews and performed worse than Middle Class Revolt. Smith would also dismiss the long time guitarist Craig Scanlon, who had co-written 120 songs with Smith over the previous 16 years. Smith would later say that he regretted this decision. By the time of The Light User Syndrome, Brix had enough of Mark E. Smith's degrading state and behavior due to alcohol abuse, and would leave on the tour supporting this album. This period would be wrought with increasing tensions in the band and financial troubles, which ultimately came to a head on the US tour supporting the album Levitate at an infamous gig at the New York venue Brownies in April of 1998. Smith ended up appearing drunk at the gig, and did everything in his power to make it hard for the band to play. It came to a head when drummer Karl Burns, who returned to the band when Middle Class Revolt was made, ended up shoving Smith for messing with his drum kit. Burns and long-time/essential bassist Steve Hanley would end up leaving the band and never returning. After this gig, the next few years are marked with the band remaining a low profile for the most part, where would eventually return to form by 2003.
Here's some tracks to check out (if you want to) from this era:
Don't Call me Darling
Rainmaster
D.I.Y Meat
The Chiselers
Powder Keg
Masquerade
(1998 - 2002 - Touch Sensitive: The Long Lull)
During this period of the Fall, the band was just starting to be put back together by Mark after the debacle that was the Brownies gig. The band was able to achieve some form of critical favor with their album The Marshall Suite in 1999, with Touch Sensitive being a particular standout on the album and being featured in a Volkswagen commercial. The band would then release their album The Unutterable, which also started to gain the critic's favor back. The next album Are You Are Missing Winner, however, didn't do the band any favors, as it was recorded when the band was tight on funds. It was considered a misstep by the Fall after the acclaim that the last album received. However, this would ultimately lead to the start of a new era of the fall that would effectively renew their relevance as a band in the public's eye.
Here's some tracks to check out from this transitional period of the bands history:
Touch Sensitive
W.B
Sons of Temperance
Dr. Bucks Letter
Bourgeois Town
(2003 - 2009 - A return to grace: The Third Golden Age)
This era of the fall proved to be a rebirthing of the band's relevance and quality, with Mark writing some of the best material the band had in years. This era starts with the album The Real New Fall LP (Formerly Country on the Click) in 2003, which provided the band with some late era classics, such as Mountain Energei and Theme From Sparta F.C. Around this period, the DJ John Peel, who was one of the band's biggest supporters from the beginning, died of a heart attack, but not before the Fall could release one more Peel session a couple months before his death. The Fall would then release Fall Heads Roll in 2005, which also provided the band with another late-era classic in the form of Blindness. The band would also release albums like Reformation Post TLC and Imperial Wax Solvent within the same period. Imperial Wax Solvent would end up being the first Fall album in 15 years to reach the top 40. This would lead into the final era of the Fall leading up to Mark E. Smith's untimely death.
Here's some tracks to check out from this era:
Mountain Energei
Theme From Sparta F.C.
Blindness
Clasp Hands
Fall Sound
Latchkey Kid
Is This New
Strange Town
(2010 - 2018 - The Witching Hour: The Domino and Cherry Red/final years)
In 2010, the Fall would release Your Future Our Clutter on Domino Records, the same label that releases records by the Arctic Monkeys and Franz Ferdinand, Two bands heavily influenced by the Fall. Mark E. Smith would also end up recording vocals for Glitter Freeze on the Gorillaz album Plastic Beach, which was released in 2010. The band would eventually move to Cherry Red records, which would remain the label of the band until its dissolution. On Cherry Red, the Fall would release album such as Ersatz GB, Re-Mit, Sub-Lingual Tablet, and New Facts Emerge. The latter album would prove to be the band's last record. Over this period, Mark began to develop significant health problems, and would eventually be diagnosed with terminal lung and kidney cancer. This is probably due to the fact that Mark E. Smith was a heavy smoker for most of his life, and his previous problems with drugs and alcohol didn't help either. Mark would perform his final gig with the Fall in November of 2017, and would eventually succumb to his illnesses on January 24th, 2018. Mark E. Smith would leave behind a long history of innovation, wit, and volatility and large catalog of great music for others to be inspired by.
Here's some tracks to check out from the final era of the Fall:
Bury Pts. 2 + 4
Nate Will Not Return
Loadstones
Fibre Book Troll
New Facts Emerge
(Final Remarks)
So that's my write-up for the Fall. I discovered this band about 3-4 years ago and I have fallen in love with them ever since, and I just felt like that they deserved some attention. I wrote this post for anyone who may be interested in checking out the band and giving them a place to start from no matter the era. May Mark E. Smith rest in peace, for he wrote "Northern white crap that talks back" and dug repetition.
P.S: For any fans of the fall, what is your favorite album/song by the fall and why?
If you want to, you can come check out my subreddit Collectionhauls, where I've been posting vinyl finds I've had at the flea market, and have been posting music to check out since March. If you want, you can come post something from your collections to show to others. Anyway, goodbye and I hope you enjoyed my post and possibly enjoy the Fall even more.
submitted by ryuundo to Music [link] [comments]

10/13 JP Live Stream

Hey guys, this stream was prerecorded and didn't give much info, so this will be rather short.
Danmachi LN 16 is going on sale on the 15th October in Japan, to celebrate it we're getting 160 Iris.

Summary

Casino: Joker Heroic Trial - This time you can pick from Riveria, Chloe and Naaza. Daily CP Item Quest - Wish they added the new CP item so we could stock up. Seventh Zone- Nothing new here Wargame - Preliminary round for FWG Events ending this week Events starting this week
Since last week's leaks turned out to be right about Potato Stand Hestia, I am including the leaks for the next unit, since they've been making rounds. Only check if you don't mind anime spoilers!
Lyd (Lizardman)
>! Special arts: [Foes] Ultra Fire P.Attack /w Ultra Unguard Rate and temp. Great Str Boost. [Self] Str. and Fire Dmg. +80% for 3 turn!<
Skill 1: MP34 [Self] Slow Str., Agi. and Fire dmg. +60% for 4 turn. Gain 3 Additional Actions([Foes] Slow Low Fire P.Attack , extend P. Resist debuff for 2 turn)
Skill 2: MP39 [Foes] Fast Hi Fire P.Attack /w Ultra Uncounter Rate. P. res -35% and End. -40% for 1 turn
Skill 3: MP30 [Foe] Hi Fire P.Attack /w Ultra Critical Rate. Dmg +40% per each [Self] Fire dmg. Buff
Besides this, there was a Q&A segment, no information on the next Danmemo roadmap. Only interesting information that I can remember is that someone asked when will NY Gareth and Chigusa (stall ailment units) have their ascension unlocked. The answer is that they are still considering whether they need to unlock it, because they are already strong enough as is".
See you next week. o/
submitted by simhauu to DanmachiMemoriaFreese [link] [comments]

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Blant roulette-spillene som Leo Vegas Norge tilbyr finner man standard roulette samt flere varianter av både europeisk og fransk roulette. Amerikansk roulette tilbys også.
Den beste strategien for å øke sjansen for gevinst når man spiller roulette er å holde seg unna den amerikanske varianten, og gå for de franske eller europeiske. Der er huset fordel mindre siden de kun har en null mens de amerikanske bordene har to nuller.
For storspillere eller såkalte high rollers finnes spill som Roulelette VIP og French Roulette VIP. Dette er utgaver av spillet som virkelig lar spillerne satse mye per runde om de ønsker det.
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Live Casino

For å kjenne på den ekte casinofølelsen uten å være i et fysisk casino, er Live Casinoet til Leo Vegas Norge stedet. Det er enormt. Der er utvalget av kort- og bordspill stort. Derfor er det ingen grunn til å dra til Monte Carlo eller Las Vegas. Kommer man ikke i god casinostemning i Live Casionet til Leo Vegas er det ikke deres feil. Der er det en omfattende meny med mange menyvalg alt etter hva man er ute etter. I Live Casinoet spiller man mot imøtekommende, smilende og velkledde dealere. Mange sjanser for chatting med medspillere får man også.
Leo Vegas Norge har mange spill som er felles med andre casinoer, men også eksklusive spill som man kun finner der. I casinoets Chambre Séparée er det ti eksklusive spill med roulette og blackjack. Ellers bys på rikelige sjanser for gevinster i både baccarat, poker, blackjack, roulette og på lykkehjulet Dream Catcher. Hvor mye man spiller for per runde er opp til en selv. Spennvidden er fra 1 krone til 200 000 kroner.
Spillene i Live Casinoet leveres av spillutviklerne NetEnt, Evolution Gaming og Extreme Live Gaming. Det betyr brukervennlige bord, flott grafikk og upåklagelig livestream og lyd. Dette er også utviklere som har spill for alle typer spillere. Dermed spiller det ingen rolle om man er litt forsiktig med hvor mye man spiller, eller om man ikke har særlig fokus på det. Det blir uansett en flott casinoopplevelse selv om man sitter i godstolen hjemme.
Vil man prøve noe utover alle live-bordene fra de tre nevnte tilbyderne, får man det hos Leo Vegas Norge. Man kan nemlig knytte seg opp til bordene ved flere fysiske landbaserte casinoer. Eksempler er Dragonara på Malta og St. Vincent i Italia. Dermed befinner man seg plutselig på en øy i Middelhavet eller nord i Italia uten å være det.

Slik får du live casino bonus hos Leo Vegas Norge Casino

Hos Leo Vegas er det slik at man kan motta en bonus i Live Casinoet i forbindelse med at man blir ny spiller. Når man registrerer seg kan man få 100 kroner gratis til benyttelse i Live Casinoet. Det er ikke nødvendig å gjøre et innskudd, det holder med å åpne en konto. Det er en fin måte å bli litt bedre kjent i Live Casinoet uten at man risikerer egne penger.
Frister det med mer kan man velge å ta imot velkomsttilbudet i denne seksjonen. For det første innskuddet på minst 100 kroner vil man da få dette i Live Casinoet:
  • To bonuser på 100 prosent opptil 2000 kroner
Både gratispengene og bonusen kommer med et omsetningskrav på 40 ganger før eventuelle gevinster kan tas ut. Dette høres muligens høyt ut for erfarne casinospillere, men det som skiller Leo Vegas fra andre casino er at når du spiller i dette casinoet vil du først spille med ditt eget innskudd, før du spiller med bonuspenger. Så om du vinner en gevinst mens du spiller med dine egne penger, er alle gevinster dine.
Ønsker man flere bonuser i Live Casinoet må man følge med og benytte anledningen i forbindelse med diverse kampanjer som kan gi dette.

Odds og betting hos Leo Vegas Norge

Når det kommer til sport er Sportsbooken hos Leo Vegas uslåelig. Der er det mye for de som elsker sportsbetting. Det betyr mange muligheter for spill på både odds og live odds. Det første betyr spill til odds som er satt før idrettsbegivenheten starter. Det andre gir enda mer engasjement siden det er odds man kan sette når en sportsbegivenhet pågår.
De aller fleste idrettene er på plass i sportsseksjonen. Det betyr alt fra store idretter som fotball, vintersport, hest, tennis og motorsport til mindre idretter som dart, snooker og sjakk. Leo Vegas har alle de store turneringene, mesterskapene og ligaene. I tillegg så byr Sportsbooken på resultatoversikt og live streaming.
Det kan også spilles på noe annet enn sport. Bookmakere gir jo muligheter til spill på så mangt. Leo Vegas Norge tilbyr blant annet politikk hvor man kan vedde på vinnere av nasjonale valg og presidentvalg. Du kan for eksempel sette odds på kommunevalget i Norge 2019, eller om the blir No Deal Brexit. Andre alternativer er valutakurser, TV-show, musikkonkuranser og prisutdelinger. Om du anser deg selv som en TV-ekspert, hva med å sette odds på hvilken TV-serie som går av med den gjeve prisen for beste dramaserie hos Emmy Awards 2019.
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Oddsbonus

Nye spillere som er mest opptatt av sportsbetting kan velge å ta velkomsttilbudet i Sportsbooken. Faktisk får man 100 % opptil 3000 kr. Denne bonusen må omsettes 4 ganger til minst 1.80 i odds.
Frister det med mer etter at man har spilt på sport risikofritt, gjør man et innskudd og spiller for egne penger. Da tildeles man velkomsttilbudet i sportsseksjonen hos Leo Vegas Norge. Det betyr at man mottar 2 gratisspill. For å kvalifisere for disse to gratisspillene er betingelsen at det spilles for minst 100 kroner til minst 1.8 i odds den første gangen man spiller for egne penger i oddsseksjonen.

Se kampene med live streaming

Ønsker man å følge med live etter at man har spilt på et idrettarrangement, er sportsseksjonen til Leo Vegas Norge er godt sted. Der kan man bli værende i Sportsbooken og se på avgjørelsen. Der kan man se mange live sendinger eller live streaming. Enten det er en fotballkamp, tennismatch eller en kamp fra VM i ishockey tilbyr Leo Vegas dette til sportsinteresserte gjester.
Enkelt å se er det også. Man finner idrettsarrangementet under Live streaming i oddsseksjonens meny. Deretter er det bare å trykke på play-knappen. Er man ikke innlogget må man deretter gjøre det. Så er det bare å nyte sendingen.

Spill hos Leo Vegas fra mobil og nettbrett

Når det kommer til løsninger for mobile enheter har Leo Vegas Norge aldri sovet i timen, men fulgt med på den teknologiske utviklingen. Der i gården har nettsider med responsivt design aldri vært et fremmedord. Helt siden starten i 2012 har det vært fokus på å gi gjestene det beste innenfor mobilcasino. Rett og slett å være nummer 1 på mobilspilling. Dette ble blant annet anerkjent med tildelingen av Mobile Operator of the Year under EGR Nordic Awards 2016.
Casinoets innovative løsninger gir håndholdt underholdning som er uanstrengt uansett hvilken enhet man benytter. Dette skyldes banebrytende fordeler som elektrisk tempo, intuitiv kontroll og det flotte utvalget som tilbys av casinospill. Dermed er det duket for mye moro uansett hvor man befinner seg i verden. Det eneste man behøver er god nettdekning.
Spill via mobile enheter er enkelt uansett hvilken nettleser og operativsystem man benytter. Det er ikke nødvendig med nedlasting av programvare. Om man ønsker kan man laste ned Leo Vegas sin app for Android og IOS. Med casinoets prisbelønte Best Native App ved EGR Marketing and Innovation Awards 2017 får man en verdensledende spillopplevelse rett i håndflaten uansett hvilken avdeling man befinner seg i. Opplevelsen blir intuitiv, innovativ og øyeblikkelig.
Det betyr lynraske hastigheter og fine opplevelser på mer enn 1000 spilleautomater takket være samarbeidet med alle partnerne. Det betyr alt fra traveren Starburst til de heteste nyhetene. Innenfor sportsbetting betyr det en lynrask Sportsbook som er effektiv, engasjerende og lett å navigere på. Og så kommer man til den ekte opplevelsen i Live Casinoet. Det betyr live streaming fra luksuriøse og eksklusive steder rett i hånden. Håndholdt Live Casino i HD som man sjelden har opplevd tidligere. På mobilen eller en annen touchskjerm får man et bredt spekter av live bordspill hvor man opplever forskjellen fra hva de fleste andre tilbyr.
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Innskudd og uttak hos Leo Vegas

Når det kommer til finansielle transaksjoner er det mange som kjenner på en viss usikkert. Spesielt om man skal betale til en ny aktør. Kommer pengene inn på riktig konto? Og ikke minst får man tatt ut pengene igjen? Det er jo ikke rart at man kjenner på denne uroen. Noe nytt skaper alltid en viss form for usikkerhet. Hos Leo Vegas Norge kan man nyte spillingen og slappe helt av. Der er det ikke noe tull. Casinoet tar sikkerheten til kundene sine på ramme alvor. Alle betalinger skjer med moderne og sikker SSL-kryptering. Dermed kommer ikke innskudd og uttak på avveie.
Før man kan ta ut penger må man verifisere kontoen med godkjent legitimasjon. Dette er for å sikre at pengene utbetales til riktig person. Samt at spillingen ikke er en del av kriminell aktivitet som hvitvasking av penger.
Når man først er verifisert vil alle senere uttak av gevinster gå mye raskere unna. Hvor raskt man får pengene kommer an på hvilken betalingsmetode som benyttes ved uttak. Casinoet prøver uansett å ekspedere alle anmodninger om utbetalinger så raskt som mulig. Bruker man elektroniske lommebøker er pengene tilgjengelig nesten med en gang. Må utbetalingen foretas via bankoverføring kan det ta inntil 5 dager.
For innskudd er det ingen krav til minstebeløp hos Leo Vegas. Imidlertid kan det være at kortutstederen krever et gebyr, og da kan dette bli uforholdsmessig stort om man bare setter inn en hundrelapp.
Når det kommer til uttak er det minste man kan ta ut hos Leo Vegas 200 kroner. I løpet av 30 dager kan man foreta inntil 3 gebyrfrie uttak. Gjør man flere uttak innenfor dette tidsvinduet påløper det et gebyr på 30 kroner per uttak. De som har nådd nivå 30 i VIP-programmet kan foreta så mange uttak de bare ønsker. De vil uansett være gratis.

Oversikt over betalingsmetoder

Leo Vegas Norge tilbyr de mest vanlige betalingsmetodene. I utgangspunktet benyttes samme løsning ved uttak som ved innskudd. Er ikke dette teknisk mulig blir uttaket som oftest ordnet med bankoverføring. Hos Leo Vegas kan det velges blant disse metodene:
  • Visa
  • Mastercard
  • PaysafeCard
  • Neteller
  • Skrill
  • Skrill Rapid Transfer
  • Bankoverføring
  • Trustly
  • MuchBetter
  • ecoPayz
Husk at det varierer hvilke metoder som er tilgjengelige for norske spillere – da den siste tidens restriktive politikk fra den norske stat har gjort det vanskelig for norske spillere å ta ut sine lovlige gevinster som de har vunnet på casino. Leo Vegas jobber kontinuerlig for å finne nye og gode betalingsmuligeter for akkurat norske spillere.
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Kundeservice

De aller fleste gangene man gjester Leo Vegas forløper nok besøket uten problemer av noe slag. Det er jo slik det skal være, man er jo der for å hygge seg. Dog kan det være at det er noe man lurer på. Da er Leo Vegas sin FAQ et greit sted å begynne. Der har casinoet samlet de mest vanlige problemstillingene. FAQ-en er omfattende så man finner mest sannsynlig svar på det meste man lurer på.
Finner man ikke svaret der eller om det skulle oppstå et akutt problem, er det godt med teamet på kundeservice. Det består av dyktige medarbeidere som gjør alt de kan for å hjelpe. På kundesupport er det alltid folk tilstede. Det betyr at man får hjelp og assistanse døgnet rundt. Enten det er påske, 17. mai eller jul. Teamet hjelper til slik at man kan fortsette med det man ønsket, nemlig underholdende spilling.
Folkene på support kan kontaktes via e-post, Live Chat eller telefon. Det raskeste er telefon og chat. På e-post tilstrebes det å svare innen 24 timer.
Fra klokken 8 om morgenen og helt frem til klokken 02 er det hjelp å få på norsk. Resten av døgnet er kundestøtten på svensk og engelsk.

Forsvarlig spilling med LeoSafePlay

Hos Leo Vegas ønsker man at gjestene skal kose seg, spille og ha det hyggelig hver gang man er på besøk. Rett og slett at spillingen ikke skal ta overhånd og at man ikke er i casinoet for å bli rik. Fokuset med ansvarlig spilling er en viktig del av identiteten til Leo Vegas Norge. Derfor har de etablert LeoSafePlay. Målet med dette er å gi nyttig og praktisk informasjon om identifisering og håndtering av spilleavhengighet. Samt hindre spill blant mindreårige. LeoSafePlay gjenspeiler viljen og arbeidet som gjøres for å ta ansvar for spillerne og bransjen i sin helhet. Verktøy er rett og slett en nyttig ressurs for alle som ønsker informasjon om hvordan man unngår spilleavhengighet og spill blant mindreårige.

Stolt sponsor av Brentford Football Club, Leicester Tigers og Norwich

Hos Leo Vegas er de opptatt av å gi tilbake. Dette ser man blant annet gjennom sponsing av idrettslag. Nettcasinoet er stolt hovedsponsor av flere kjente idrettsklubber. Dette er Brentford Football Club og Leicester Tigers. I tillegg kommer fotballklubben Norwich som kanskje er best kjent blant nordmenn. Den er på nivå to i England og har også nordmenn på laget.
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Spenstig VIP-program

Det må også nevnes at Leo Vegas Norge har et eget kundeprogram. I lojalitetsprogrammet er det mye for de mest dedikerte gjestene. Og som vanlig er det slik at desto høyere man kommer opp i hierarkiet i VIP-programmet desto mer kan man forvente av goder, fordeler, personlig oppfølging og andre gode tilbud.

Høy sikkerhet med Maltesisk lisens

Nettcasinoet henter spillisensen på Malta hos Malta Gaming Authority. Det er holdt for å være kanskje verdens strengeste reguleringsmyndighet. Med en lisens utstedt på Malta gir det spillerne god trygghet for at casinoet kontrolleres og overvåkes av en spillmyndighet som tar dette med rettferdig spill og transparens på alvor. Samtidig er casinoet også underlagt EU’s strenge regelverk. Det gir også sikkerhet for at pengetransaksjoner, brukerrettigheter samt personlig informasjon er ivaretatt på beste vis.

Leo Vegas Norge Casino konklusjon

Hos Leo Vegas får man egentlig alt. Det er et flott nettcasino som tilbyr gjestene mye. Enten det er sport, casino eller livespill. Casinoet har vunnet mange utmerkelser siden det ble lansert. Ikke minst er de mobile løsningene brukervennlige og innovative. Casinoet passer for alle typer spillere. Er man en highroller finnes det nok av tilbud. Om man er litt mer forsiktig med pengene finnes det enda mer å velge blant.
I casinoseksjonen er det et stort og variert spillutvalg i mange kategorier. Her finner man haugevis av spilleautomater og jackpotter. Utvalget er også stort når det kommer til kort- og bordspill som poker, baccarat, blackjack og roulette. I tillegg fokuseres det ekstra på skrapelodd.
De som elsker sportsbetting får i aller høyeste grad sitt. Der kan det spilles på både odds og live odds til gode betingelser på de fleste idretter. Noen utenomsportslige veddemål er det også mulig å ta. I tillegg har Sportsbooken resultatoversikt samt mange muligheter for live streaming av idrettsbegivenheter.
Man behøver ikke reise til Las Vegas for å kjenne på den ekte casinofølelsen. Det holder med Live Casinoet til Leo Vegas. Der kan det spilles på enormt mange spill. Der finner man lykkehjulet Dream Catcher og klassikere som poker, blackjack, roulette og baccarat. Og i Chambre Séparée finner man eksklusive spill som ingen andre har.
Et stort pluss er velkomsttilbudene i hver seksjon. Man avgjør selv hvor man eventuelt ønsker å ta imot dette. Dermed velger man velkomstbonus ut fra spilleinteressen. I tillegg får man en belønning bare for å registrere seg. Enten i form av gratispenger eller gratisspinn.
Positivt er det også med mange kampanjer, turneringer og VIP-program. Det kan gi flere flotte belønninger. Mange betalingsmetoder samt raske innskudd og uttak med sikker SSL-teknologi er også bra. Det samme gjelder kundeservice døgnet rundt hver eneste dag.
Hvis det er en ting vi skal trekke for, er det omsetningskravet på bonusen i dere live casino. 70 ganger er for høyt. Kravet på den ordinære bonusen, 35 ganger, er imidlertid helt innenfor og nærmest en slags bransjestandard.
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